Alien
The crew of mining spaceship Nostromo answer an apparent distress signal and find themselves with an unwanted passenger, in Ridley Scott’s breakthrough sci-fi horror.
“Fans of Hitchcockian thrillers like it because it’s moody and dark. Gorehounds like it for the chest-burster. Men love the battle-for-survival element, and women love not being cast as the helpless victim.”
David McIntee, Beautiful Monsters, 2005
A synopsis suggests little difference between Alien and a Fifties B-movie like It! The Terror from Beyond Space (1958): both films are about a spaceship crew being terrorised by a murderous and largely unseen alien presence. But Alien’s genius lies in its visual and conceptual design, which impressed its backers enough to double the production budget, a decision that paid off in spades.
The film brought an unprecedented level of realism to the science fiction genre, while its graphically sexual imagery (much of it originating from the mind of Swiss artist H.R. Giger) fuelled PhD theses galore: the notorious ‘chest-burster’ set-piece as a bizarre allegory of childbirth for example.
At the time, none of the impressive cast could fairly be described as a star (the two Britons, John Hurt and Ian Holm, were closest, but Sigourney Weaver was then totally unknown), and this added to the suspense: anyone could be picked off at any time.
Alien spawned several direct sequels and countless rip-offs: Leviathan (1982), Event Horizon (1997) and Pitch Black (2000) are among the better ones, while John Carpenter’s The Thing (1982) clearly shows its influence.
Cast & credits
Cast
- Captain Dallas Tom Skerritt
- Ripley Sigourney Weaver
- Lambert Veronica Cartwright
- Brett Harry Dean Stanton
- Kane John Hurt
- Ash Ian Holm
- Parker Yaphet Kotto
- 'Alien' Bolaji Badejo
- voice of 'Mother' Helen Horton
Credits
Direction
- Directed by Ridley Scott
- Assistant Director (1st) Paul Ibbetson
- Assistant Director Raymond Becket
- Assistant Director Steve Harding
- Assistant to Director Sandy Molloy
- Trainee Assistant Director Bob Jordan
- Continuity Kay Fenton
Production
- © Twentieth Century-Fox Film Corporation
- Production Company Brandywine Productions
- Made by Twentieth Century-Fox Productions Ltd
- Executive Producer Ronald Shusett
- Produced by Gordon Carroll
- Produced by David Giler
- Produced by Walter Hill
- Associate Producer Ivor Powell
- Production Executive Mark Haggard
- Production Manager Garth Thomas
- Production Accountant William Finch
- Production Assistant Valerie Craig
- Assistant to Producers Alice Harmon
- Assistant to Producers Lori Covel
- Studio Shepperton Studios
Casting
- Casting (USA) Mary Goldberg
- Casting (UK) Mary Selway
Writing
- Screenplay by Dan O'Bannon
- [Screenplay] Walter Hill
- [Screenplay] David Giler
- Story by Dan O'Bannon
- Story by Ronald Shusett
Photography
- Director of Photography Derek Vanlint
- Director of Photography (Miniature Effs) Dennis Ayling
- Operator (Miniature Effects) David Litchfield
- Camera Focus Adrian Biddle
- Camera Focus Colin Davidson
- Focus (Miniature Effects) Terry Pearce
- Lighting Gaffer Ray Evans
- Key Grip Jimmy Walters
- Key Grip (Miniature Effects) Peter Woods
- Electronics/Video Co-ordinator Richard Hewitt
Stills
- Stills Bob Penn
Special Effects
- Matte Artist Ray Caple
- Special Effects (Supervisor) Brian Johnson
- Special Effects (Supervisor) Nick Allder
- Special Effects (Technician) David Watkins
- Special Effects (Technician) Philip Knowles
- Special Effects (Technician) Roger Nichols
- Special Effects (Technician) Dennis Lowe
- Special Effects (Technician) Neil Swan
- Special Effects (Technician) Guy Hudson
- 'Alien' Design H.R. Giger
- Small 'Alien' Forms Co-designed/Made by Roger Dicken
- 'Alien' Head Effects Created by Carlo Rambaldi
- 'Alien' Effects Co-ordinator Clinton Cavers
- Additional 'Alien' Mechanics Carlo Demarchis
- Additional 'Alien' Mechanics David Watling
- Floor Effects Supervisor Allan Bryce
- Supervising Model Maker Martin Bower
- Supervising Model Maker Bill Pearson
- Supervising Modeller Peter Voysey
- Modeller Eddie Butler
- Modeller Shirley Denny
- Modeller Patti Rodgers
- Special Graphic Effects by Bernard Lodge
Editing
- Film Editor Terry Rawlings
- Editor Peter Weatherley
- 1st Assistant Editor Leslie Healey
- Assistant Film Editor Peter Culverwell
- Assistant Film Editor Bridget Reiss
- Assistant Film Editor Peter Baldock
- Assistant Film Editor Maureen Lyndon
Design
- Production Designer Michael Seymour
- Visual Design Consultant Dan O'Bannon
- Art Director Leslie Dilley
- Art Director Roger Christian
- Assistant Art Director Jonathan Amberston
- Assistant Art Director Benjamín Fernández
- Set Decorator Ian Whittaker
- Concept Artist Jean 'Moëbius' Giraud
- Concept Artist Chris Foss
- Concept Artist Ron Cobb
- [Sculptor] Brian Muir
- Property Master Dave Jordan
- Production Buyer Jill Quertier
- Head Carpenter George Gunning
- Head Plasterer Bert Rodwell
- Head Painter John Davey
- Construction Manager Bill Welch
Costumes
- Costume Designer John Mollo
- Wardrobe Supervisor Tiny Nicholls
Make-up
- Make-up Supervisor Tommy Manderson
- Make-up Pat Hay
- Hairdresser Sarah Monzani
Titles
- Title Design Steve Frankfurt Communications
- Title Design R/Greenberg Associates
- Title Design Tony Silver Films
- Titles Filmfex Animation Services
Music
- Music by Jerry Goldsmith
- [Music] Conducted by Lionel Newman
- Music Editor Bob Hathaway
Sound
- Production Sound Mixer Derrick Leather
- Re-recording Mixer Bill Rowe
- Dolby Sound Consultant Max Bell
- Re-recording Assistant Ray Merrin
- Sound Editor James Shields
- Dialogue Editor Bryan Tilling
Stunts
- Stunt Co-ordinator Roy Scammell
- Stunt Work Eddie Powell
Consultant
- 'Jones' Trained by Animals Unlimited
Publicity
- Advertising/Publicity Consultant Stanley Bielecki
- Advertising/Publicity Consultant Charles M. Lippincott
- Unit Publicist Brian Doyle
