Duel in the Sun

Credits

Direction

• Directed by King Vidor
• [Director] Wilhelm Dieterle
• [Director] David O. Selznick
• Second Units Directed by Otto Brower
• Second Units Directed by B. Reeves Eason
• [2nd Unit Director] William Cameron Menzies
• [2nd Unit Director] Chester M. Franklin
• Assistant Director Lowell Farrell
• [Assistant Director] Harvey Dwight
• [Second Assistant Director] Bert Chervin
• [Second Assistant Director] Arthur Fellows
• Scenario Assistant Lydia Schiller
• [Script Clerk] Adele Cannon
• [Script Clerk] Donna Norridge
• [Script Clerk] Agnes Pottage

Production

• © Vanguard Films
• Production Company Vanguard Films
• Producer David O. Selznick
• [General Manager] Charles L. Glett
• [Unit Manager] Glenn Cook
• [Unit Manager] William McGarry
• [Production Manager] Argyle Nelson
• [Production Manager] Richard Johnston
• [Assistant Production Manager] Fred Ahern

Casting

• [Casting Director] Ruth Burch

Writing

• Screenplay by David O. Selznick
• Adapted by Oliver H.P. Garrett
• Suggested by a novel by Niven Busch

Photography

• Director of Photography Lee Garmes
• Director of Photography Harold Rosson
• Director of Photography Ray Rennahan
• Additional Photography Charles P. Boyle
• [Additional Photography] Allen Davey
• Color Consultant Natalie Kalmus
• Associate [Color Consultant] Morgan Padelford
• [Colour Supervisor] Josef von Sternberg
• [Camera Operator] Edward Fitzgerald
• [Camera Operator] Harry Webb
• [Chief Electrician] Homer Plannette
• [Chief Electrician] Edward Petzoldt
• [Head Grip] Morris Rosen
• [Head Grip] Raymond Bahns

Stills

• [Stills] Al St. Hilaire
• [Stills] Madison Lacy

Special Effects

• Special Effects Clarence Slifer
• [Special Effects] Jack Cosgrove

Editing

• Supervising Film Editor Hal C. Kern
• Associate [Film Editor] William Ziegler
• Associate [Film Editor] John Faure
• [Assistant Editor] Wayland M. Hendry
• [Assistant Editor] Noel Coppleman

Design

• Production Designed by Joseph Mcmillan Johnson
• [Visual Consultant] Josef von Sternberg
• Art Director James Basevi
• Associate Art Director John Ewing
• Interior Decoration Emile Kuri
• [Props Manager] Fred Widdowson
• [Props Manager] John Brent
• [Set Props] Arden Cripe
• [Greensman] Roy A. Mclaughlin
• [Drapes] Harry Apperson
• [Construction Superintendent] Harold Fenton

Costumes

• Costumes by Walter Plunkett
• [Wardrobe Superintendent] Frank Beetson
• [Wardrobe Superintendent] Elmer Ellsworth
• [Wardrobe Superintendent] Ann Peck

Make-up

• [Make-up] Blagoe Stephanoff
• [Make-up] Norbert Miles
• [Haidresser] Gale Mcgarry
• [Haidresser] Margaret Martin

Music

• Music Written and Conducted by Dimitri Tiomkin
• [Music Co-ordinator] Audrey Granville
• [Music Editor] George C. Emick

Choreography

• Group Dances by Lloyd Shaw
• Solo Dances Created by Tilly Losch

Sound

• Sound Director James G. Stewart
• [Sound] Recorded by Richard Deweese
• [Effects Editor] Charles Freeman

Stunts

• [Stand-in for Jennifer Jones] Dorothy Whalen
• [Stand-in for Gregory Peck] Jerry Pyne
• [Stand-in for Lillian Gish] Evelyn Ray
• [Stand-in for Butterfly McQueen] Lillian Taylor

Consultant

• [Tech Adviser on Ranch Life Details] Ralph McCutcheon
• [Tech Adviser on Ranch Life Details] J.T. Harris
• [Tech Adviser on 19th Century Dances] Lloyd Shaw
• [Tech Adviser for Barbecue Scene] Captain Charles Ellison
• [Tech Adviser on Railroad Construction] Walter Haven
• [Tech Adviser on the Cavalry Charge] Philip Kieffer
• [Tech Adviser on Barroom Scenes] Carl Preed
• [Tech Adviser on Texas Dialect] Lucille Scholsberg
• [Tech Adviser on Texas Dialect] Dan White
• [Tech Adviser on Guns and Gunplay] Fred Andrews
• [Research] Ann Harris
• [Chief Effects Projectionist] Robert C. Hansard