Ruth Harley

Ruth Harley

CEO, Screen Australia
New Zeland/Australia
Voted in the critics poll

Voted for:

Amarcord 1972 Federico Fellini
Angel at My Table, An 1992 Jane Campion
Apocalypse Now 1979 Francis Ford Coppola
Godfather: Part II, The 1974 Francis Ford Coppola
Hurt Locker 2008 Kathryn Bigelow
Lawrence of Arabia 1962 David Lean
Murmur of the Heart 1971 Louis Malle
Sapphires Wayne Blair
Star Wars 1977 George Lucas
Water 2005 Deepa Mehta

Comments

My choices are of films that immediately came to mind when I thought of this task. Some crowded into my memory by replaying the visceral response that the film first induced, such as the stomach-knotting intensity of The Hurt Locker or Apocalypse Now. Others, like An Angel at my Table, swept into my visual memory. Still more create snapshot memories that are expressions of the extraordinary tangle and diversity of humanity, like Water, Amarcord and even the bar scene from the original Star Wars film. Portrait of the artist movies are very often films that stay with me as extraordinary insights into extraordinary minds, as with writer Janet Frame in An Angel at my Table and David Helfgott in Shine. I also love the expansive feelings created by movies that are about music and musicians – hence Shine and the surprise (for me) choice of Mama Mia. And then there are those films that take you places you never thought you would go, like the incredibly transgressively Murmur of the Heart.