Comments

‘Greatest’ has no hierarchy. If I have found no room for Bergman, Bresson, Buñuel, Fellini, Mizoguchi, Murnau, Pasolini, Renoir or Rossellini (among others), it is perhaps because there were too many films to choose from in their distinctive oeuvres. The ten films I have chosen leap out at me as being extremely original in style and content, specific only to the language of cinema. By the way, I consider both parts of Ivan The Terrible as one work, but rules are rules.