Philip Horne

Philip Horne

Academic; critic; professor, English, University Collage London
UK
Voted in the critics poll

Voted for:

Bicycle Thieves, The 1948 Vittorio de Sica
Citizen Kane 1941 Orson Welles
It's a Wonderful Life 1947 Frank Capra
Life and Death of Colonel Blimp, The 1943 Michael Powell/Emeric Pressburger
My Night with Maud 1969 Eric Rohmer
Passion of Joan of Arc 1927 Carl Theodor Dreyer
Règle du jeu, La 1939 Jean Renoir
Seven Samurai 1954 Akira Kurosawa
Tokyo Story 1953 Ozu Yasujirô
Vertigo 1958 Alfred Hitchcock

Comments

I have chosen films of balance, wisdom and complexity, films that reward repeated return visits, films whose oddities are inspired and satisfying, with which one can go together through life. Still, any such list feels arbitrary. Some great careers go unrepresented here. No Fritz Lang, Lubitsch, Robert Bresson, Jean Vigo, Hawks, Ford, Pasolini, Fellini, Kieslowski, Buñuel or Kubrick. Where are, for instance, Truffaut’s 400 Coups, Scorsese’s Raging Bull, Ford’s The Searchers, Dickinson’s Queen of Spades, Keaton’s The General, Chaplin’s City Lights, Griffith’s Birth of a Nation, Tarkovsky’s Solaris, Boorman’s Deliverance, Polanski’s Chinatown, Carpenter’s Halloween or Fincher’s Zodiac? My choices are fairly canonical and none of the directors are now living: these are the foundations. They are all films in which a number of extraordinary talents converge, making them miracles of collaboration and discovery.