Nachman Ingber
Nachman Ingber
Teacher, history of cinema, cinema department, Tel Aviv university; artistic director, the Rabinovich Fund
Israel
Voted in the critics poll
Israel
Voted in the critics poll
Voted for:
| 8½ | 1963 | Federico Fellini |
| Blow Up | 1966 | Michelangelo Antonioni |
| Citizen Kane | 1941 | Orson Welles |
| Last Laugh, The | 1924 | F. W. Murnau |
| Napoleon | 1927 | Abel Gance |
| Passion of Joan of Arc | 1927 | Carl Theodor Dreyer |
| Persona | 1966 | Ingmar Bergman |
| Seven Samurai | 1954 | Akira Kurosawa |
| Vertigo | 1958 | Alfred Hitchcock |
| White Ribbon, The | 2009 | Michael Haneke |
Comments
All of these films look at cjnema in a different way. Actually, they redefine cinema. They give it a new and fresh perspective. They make us look at the medium in a new way.