Martin Rubin
Martin Rubin
Associate Director of Programming, Gene Siskel Film Center, Chicago
US
Voted in the critics poll
US
Voted in the critics poll
Voted for:
| His Girl Friday | 1939 | Howard Hawks |
| Life of Oharu, The | 1952 | Mizoguchi Kenji |
| mépris, Le | 1963 | Jean-Luc Godard |
| Paisà | 1946 | Roberto Rossellini |
| Passion of Joan of Arc | 1927 | Carl Theodor Dreyer |
| Psycho | 1960 | Alfred Hitchcock |
| Rear Window | 1954 | Alfred Hitchcock |
| Searchers, The | 1956 | John Ford |
| Touch of Evil | 1958 | Orson Welles |
| Vertigo | 1958 | Alfred Hitchcock |

Comments
Sorry to be such a fogey. Youthful loves remain the most passionate in art as in life, although the ultra-high esteem for Hitchcock reflected in this list is a more recent development. Teaching has taught me that no filmmaker’s work more richly rewards close attention. This list also reflects a belief that postwar Hollywood was film history’s greatest source of great films. Odd that at the time it was widely considered the nadir for many good, logical reasons (the blacklist, declining attendance, technical gimmickry and so on), but art moves in mysterious, not always logical ways.