Martin Botha

Martin Botha

Professor of Film Studies, University of Cape Town
South Africa
Voted in the critics poll

Voted for:

Apocalypse Now 1979 Francis Ford Coppola
Barry Lyndon 1975 Stanley Kubrick
Cries and Whispers 1957 Ingmar Bergman
Days of Heaven 1978 Terrence Malick
Death in Venice 1971 Luchino Visconti
Fanny and Alexander 1984 Ingmar Bergman
Mirror 1974 Andrei Tarkovsky
Ran 1985 Akira Kurosawa
Thin Red Line, The 1998 Terrence Malick
Three Colours: Blue 1993 Krzysztof Kieslowski

Comments

Lists are ultimately subjective. I initially considered a list of films that would represent the ‘most important’ in film history, such as great work from the silent era by Eisenstein and/or Chaplin; features such as Citizen Kane, Rules of the Game, and the other titles that have dominated Sight & Sound polls since 1952. I am teaching international film history and have studied these films. Many of them do represent the aesthetic pinnacles of achievement, but in a strange way my admiration for Welles, Renoir and Eisenstein remains purely cognitive. The ten films in my list had the biggest impact on my view of cinema as an artform, as a means for directorial self-expression, in essence a cinema of auteurs that moved me on an intellectual and emotional level. I would have loved to add a few more: The Enigma of Kaspar Hauser (Werner Herzog), The Tree of Wooden Clogs (Olmi), Hyenas (Mambety), Mother and Son (Sokurov) and the wonderful Apu Trilogy (Satyajit Ray).