Gary Thomas
Gary Thomas
Associate director, Animate Projects
UK
Voted in the critics poll
UK
Voted in the critics poll
Voted for:
| Capitalism: Slavery | Ken Jacobs | |
| Dots | 1940 | Norman McLaren |
| Outer Space | 2002 | Peter Tscherkassky |
| Pinocchio | 1940 | Ben Sharpsteen |
| Please Say Something | 2009 | David O'Reilly |
| Powers of Ten | 1968 | Charles/Ray Earnes |
| Revolver | 1994 | Jonas Odell, Stig Bergkvist, Marti Ekstrand, Lars Olsson |
| Sinking of the Lusitania, The | 1918 | Winsor McCay |
| Tango | 1980 | Zbigniew Rybczynski |
| Yellow Submarine | 1968 | George Dunning |

Comments
A favourite quote on our office wall is by Lev Manovich: “Born from animation, cinema pushed animation to its boundary, only to become one particular case of animation in the end.” So, this is not my cineaste’s list, nor my personal list. It is a list of animated films, chosen at a particular cultural moment. Because one thing that the ‘digital’ in cinema nowadays reveals, and makes undeniable, is animation’s potential – as technique, as form, and as concept – to not merely refine but to explode what ‘cinema’ can be and what it can mean.