Thomas Groh
Thomas Groh
Freelance film critic, Die Tageszeitung, Perlentaucher.de, Splatting Image; movie blogger at filmtagebuch.blogger.de
Germany
Voted in the critics poll
Germany
Voted in the critics poll
Voted for:
| 2001: A Space Odyssey | 1968 | Stanley Kubrick |
| Daisies | 1966 | Vera Chytilová |
| Deadlock | 1970 | Roland Kick |
| Enigma of Kaspar Hauser, The | 1974 | Werner Herzog |
| Eraserhead | 1976 | David Lynch |
| Good, the Bad and the Ugly, The | 1966 | Sergio Leone |
| Holy Mountain, The | 1973 | Alejandro Jodorowsky |
| Page of Madness, A | 1926 | Teinosuke Kinugasa |
| Sylvie | Klaus Lemke | |
| Texas Chainsaw Massacre, The | 1974 | Tobe Hooper |

Comments
We all love lists and canons: we cherish the sense of structure in a confusing world, the notion of orientation, and maybe they also serve as a compensation for the lack of language to fully express our aesthetic experiences (and, damn, they always make good gossip). However, sometimes I feel a bit uncomfortable handling movies as if they were competitors in the European Champions League. After all, movies are never just distinct monoliths, but knots in a complex and multi-faceted web. And ten entries are never enough to get a picture of pictures. So my top ten tends to vary often. Today’s tops may differ from tomorrow’s tops, so the top ten I present here is something like a polaroid photograph, a mere snapshot. For me, each movie in this list represents something that, at this moment, I love and cherish about cinema and the wonders and excitement that this specific form of art can achieve within its ever-expanding range.