David Curtis
David Curtis
Retired research fellow, Central Saint Martins
UK
Voted in the critics poll
UK
Voted in the critics poll
Voted for:
| 2 into 1 | Gillian Wearing | |
| Assumption | 1997 | Peter Gidal |
| Bliss | 1967 | Gregory J. Markopoulos |
| Dimensions of Dialogue | 1982 | Jan Svankmajer |
| Mothlight | 1963 | Stan Brakhage |
| Place of Work & Tailpiece | 1976 | Margaret Tait |
| Reel Time | Annabel Nicolson | |
| Screen Tests | 1965 | Andy Warhol |
| Short Film Series | Guy Sherwin | |
| Trade Tattoo | 1937 | Len Lye |

Comments
I love big films, but I love little films such as these even more – works made by a single author, as writers write and painters paint. These are films that I can watch happily in the cinema with a crowd, or in someone’s living room with a group of friends, or on my laptop. I also carry them around in my head. Some are the product of intense planning, calculation and manual dexterity (Lye, Brakhage, Markopoulos, Gidal, Svankmajer), while the Warhol couldn’t be more hands off. The others lie somewhere in between – more a case of ‘an image seized’ (Tait and Sherwin) or a single concept elegantly expressed (Wearing). They’re all great and universal in appeal, but another day I might give a completely different list.