Andriy Khalpakhchi
Andriy Khalpakhchi
General director, Molodist Kyiv International Film Festival since 1990; director, Ukrainian Cinema Foundation since 2005; film critic; member of FIAPF commission for film festivals; member of the Ukrainian State Film Agency
Ukraine
Voted in the critics poll
Ukraine
Voted in the critics poll
Voted for:
| Ashes and Diamonds | 1958 | Andrzej Wajda |
| Battleship Potemkin | 1925 | Sergei M Eisenstein |
| Citizen Kane | 1941 | Orson Welles |
| City Lights | 1931 | Charles Chaplin |
| Damned, The | 1969 | Luchino Visconti |
| Earth | 1930 | Aleksandr Dovzhenko |
| Rashomon | 1950 | Akira Kurosawa |
| Shadows of Our Forgotten Ancestors | 1964 | Sergei Parajanov |
| strada, La | 1954 | Federico Fellini |
| Wild Strawberries | 1957 | Ingmar Bergman |

Comments
It’s always very difficult to make this choice because there are more than ten films that are really great. But, anyway, for me there are two ways of choosing: first, by the head – to count the movies that have a place in the history of world cinema or that led a new wave revolution; second, by the heart – movies that impressed me emotionally or were revolutionary to my consciousness. This list includes more films that I saw for first time when I was young, at a time when I didn’t recognise cinema as an art. This includes films such as Atalanta by Griffith, which I am sure must be included in a top ten of world cinema. For me, it holds a historical place in the world cinema, as with the films of Jean Vigo or Abel Gans. This is how I explain the fact that I did not include the films from this early epoch, except for Sergey Eisenstein’s Battleship Potyomkin, from 1925. On the other hand, the latest year I have included is 1969, when Visconti made his Gotterdammerung. There is no movie from the last 43 years! Perhaps more recent films could be considered rather for a top 100 than for the top ten.